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I think what I often see is that people
are frightened of fashion and that

2
00:00:34,860 --> 00:00:38,620
Because it scares them or it makes them
feel insecure, they put it down.

3
00:00:41,380 --> 00:00:48,340
On the whole, people that say demeaning
things about our world, I

4
00:00:48,340 --> 00:00:54,940
think that's usually because they feel
in some ways excluded or not part of the

5
00:00:54,940 --> 00:00:55,940
cool group.

6
00:00:56,340 --> 00:00:59,280
So as a result, they just mock it.

7
00:01:00,960 --> 00:01:03,900
Just because you like to put on a...

8
00:01:04,120 --> 00:01:11,120
beautiful Carolina Herrera dress or a, I
don't know, pair of J brand blue

9
00:01:11,120 --> 00:01:15,720
jeans that, you know, instead of
something basic from Kmart, it doesn't

10
00:01:15,720 --> 00:01:17,500
that you're a dumb person.

11
00:01:20,020 --> 00:01:25,220
There is something about fashion that
can make people very nervous.

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00:01:33,899 --> 00:01:37,500
Sophie, hi. This email here from Tom
Ford. Can you send it on today?

13
00:01:39,060 --> 00:01:40,060
Okay, thanks.

14
00:02:02,280 --> 00:02:03,480
Kate, there's a bit of a question.

15
00:02:04,560 --> 00:02:09,479
Anna saw the picture and she doesn't
want Chanel or Hilary.

16
00:02:10,680 --> 00:02:14,600
Okay. So I think we're done with Hilary
and Chanel.

17
00:02:19,300 --> 00:02:21,920
I wonder if Anna would like this one or
that.

18
00:02:23,340 --> 00:02:24,340
I'm not sure.

19
00:02:24,440 --> 00:02:25,780
I'm just tired for that.

20
00:02:34,570 --> 00:02:39,350
These are the approved ones that Mark
and I showed Anna. But also, Anna did

21
00:02:39,350 --> 00:02:43,710
like the landing page, and we have
redesigned it, and that's what we're

22
00:02:43,710 --> 00:02:44,710
Anna tomorrow.

23
00:02:44,830 --> 00:02:45,830
Okay.

24
00:02:46,250 --> 00:02:48,290
It is always going to be Anna's point of
view.

25
00:02:48,650 --> 00:02:49,970
Focus Anna's magazine.

26
00:02:50,430 --> 00:02:51,650
That's who signs it off.

27
00:02:52,030 --> 00:02:53,030
We know that.

28
00:02:57,010 --> 00:02:59,830
You belong to it. You belong to this
church.

29
00:03:00,150 --> 00:03:03,210
And is it true to say that Anna is the
high priestess of all of us?

30
00:03:03,690 --> 00:03:05,030
I would say Pope.

31
00:03:10,490 --> 00:03:14,210
L 'Oreal's meeting with Anna to talk
about having the designers design an

32
00:03:14,210 --> 00:03:15,210
infallible dress.

33
00:03:16,290 --> 00:03:20,790
She sees her role as the director and
producer of this fashion world.

34
00:03:21,230 --> 00:03:25,050
Can you think of an aspect of the
fashion industry that she isn't somehow

35
00:03:25,050 --> 00:03:26,630
involved in?

36
00:03:28,870 --> 00:03:29,870
No.

37
00:03:33,100 --> 00:03:34,100
We have to be closed.

38
00:03:35,520 --> 00:03:38,700
First of all, it's been a very bleak
week so far. It's been bleak street over

39
00:03:38,700 --> 00:03:39,659
here in America.

40
00:03:39,660 --> 00:03:41,600
You know what? It's a famine of beauty.

41
00:03:43,060 --> 00:03:47,600
It's a famine of beauty. It's a famine
of beauty, honey. My eyes are starving

42
00:03:47,600 --> 00:03:48,600
for beauty.

43
00:03:51,080 --> 00:03:52,080
More wild.

44
00:03:52,180 --> 00:03:55,240
You don't have to go too fast, but good
energy, good confidence.

45
00:03:55,580 --> 00:03:56,580
Is Anna here already?

46
00:03:56,740 --> 00:03:59,800
Julie, they're wondering, is Anna here
yet? Here is she there.

47
00:04:11,080 --> 00:04:14,920
I'm with the internationally renowned
editor -in -chief of American Vogue,

48
00:04:14,920 --> 00:04:18,820
Wintour. Anna Wintour is the editor -in
-chief of Vogue magazine, a bible for

49
00:04:18,820 --> 00:04:23,300
the fashion world. The single most
important figure in the $300 billion

50
00:04:23,300 --> 00:04:24,300
fashion industry.

51
00:04:24,500 --> 00:04:27,680
She is watched more closely than the
movie stars or the runway.

52
00:04:29,210 --> 00:04:31,710
People have said that you are a nice
woman.

53
00:04:32,090 --> 00:04:33,850
Well, this week it was pretty cold.

54
00:05:18,700 --> 00:05:23,820
Is there a way to wear fur this winter?

55
00:05:24,040 --> 00:05:25,420
There's always a way to wear fur.

56
00:05:26,140 --> 00:05:27,480
Personally I have it on my back.

57
00:05:44,810 --> 00:05:49,770
What is your role at the Defilé? What is
my role at the Defilé? To help Anna

58
00:05:49,770 --> 00:05:52,890
Wintour decide what goes in the magazine
and to help the editors of Vogue to

59
00:05:52,890 --> 00:05:54,790
have a dialogue about fashion.

60
00:06:37,080 --> 00:06:38,080
I'm Stefano.

61
00:06:38,660 --> 00:06:39,659
I'm well.

62
00:06:39,660 --> 00:06:40,680
Good to see you.

63
00:06:42,680 --> 00:06:44,560
Well, shall I tell you the truth?

64
00:06:45,280 --> 00:06:46,280
Yeah.

65
00:06:48,060 --> 00:06:48,999
A bit.

66
00:06:49,000 --> 00:06:51,940
A bit.

67
00:06:52,200 --> 00:06:54,520
But I hope it's going to be okay.

68
00:06:55,220 --> 00:06:56,260
No, no.

69
00:06:57,060 --> 00:06:58,460
Good to see you.

70
00:06:59,600 --> 00:07:00,600
Stefano, can we start?

71
00:07:00,780 --> 00:07:02,120
Yes. Okay.

72
00:07:04,040 --> 00:07:06,740
I know, I just said, I show them three
by three.

73
00:07:10,760 --> 00:07:14,920
So this is look number one. Okay, you
just walk around easily.

74
00:07:16,400 --> 00:07:21,660
Voilà. So this is basically what I
decided to work on, is to go back to the

75
00:07:21,660 --> 00:07:22,660
essence of the cut.

76
00:07:22,980 --> 00:07:25,620
Everything is hand -stitched all around.

77
00:07:26,020 --> 00:07:27,020
Wow.

78
00:07:28,560 --> 00:07:31,960
I don't see any real evening on that
rack. You're not doing it?

79
00:07:32,160 --> 00:07:33,160
No, I am.

80
00:07:33,260 --> 00:07:35,840
But they're all... In pieces? Yeah.

81
00:07:36,240 --> 00:07:38,080
Do we have... Well, I have one costume
dress.

82
00:07:38,560 --> 00:07:41,180
But this is the workmanship, which is
this one.

83
00:07:42,240 --> 00:07:43,540
No, I think you've seen it.

84
00:07:43,760 --> 00:07:44,760
No, that's pretty.

85
00:07:45,200 --> 00:07:46,800
So you're not really feeling for color.

86
00:07:47,460 --> 00:07:48,460
No.

87
00:07:48,740 --> 00:07:49,740
No.

88
00:07:50,840 --> 00:07:56,840
You know, it's my mood. I mean, in
winter, I never feel so much for color.

89
00:07:56,840 --> 00:08:03,020
more a summery thing for me, frankly
speaking. But it's a bit neutral.

90
00:08:03,600 --> 00:08:04,600
New blacks.

91
00:08:05,200 --> 00:08:06,200
I don't know.

92
00:08:06,880 --> 00:08:07,880
Blue navy.

93
00:08:08,400 --> 00:08:09,920
There is an emerald green.

94
00:08:12,740 --> 00:08:13,740
You know.

95
00:08:15,180 --> 00:08:16,180
Very colorful.

96
00:08:16,940 --> 00:08:18,060
This is colorful.

97
00:08:18,440 --> 00:08:21,400
Okay, I'm going to need you when I'm
convincing Anna that that's not black.

98
00:08:22,960 --> 00:08:24,600
Green, navy.

99
00:08:26,980 --> 00:08:32,039
Good morning. Good morning. You look
beautiful.

100
00:08:32,400 --> 00:08:33,239
Are you wearing Chanel?

101
00:08:33,240 --> 00:08:34,860
Yes, trying to look like your customer.

102
00:08:35,360 --> 00:08:36,580
You are our customer.

103
00:08:37,650 --> 00:08:38,750
So we'll follow you.

104
00:08:39,650 --> 00:08:43,570
Well, thank you for continuing these
breakfasts. I speak for the group.

105
00:08:43,570 --> 00:08:48,250
very helpful and continue to allow us to
get to know each other better and

106
00:08:48,250 --> 00:08:50,330
better. And we thank you for your time.

107
00:08:50,990 --> 00:08:55,770
So I'm going to ask Sally to start
talking about our main points.

108
00:08:56,390 --> 00:08:58,930
The key item for us, it seems to be the
jacket.

109
00:08:59,150 --> 00:09:04,050
We're going to be putting a huge, huge
push onto a wardrobe of jackets for the

110
00:09:04,050 --> 00:09:05,049
fall issues.

111
00:09:05,050 --> 00:09:06,170
Nobody was wearing fur.

112
00:09:06,700 --> 00:09:10,900
until Anna put it back on the cover of
Vogue back in the early 90s. And she

113
00:09:10,900 --> 00:09:15,240
ignited the entire industry. If we get
behind something, it sells.

114
00:09:15,620 --> 00:09:18,540
For once, Prada was in great debate this
season.

115
00:09:18,760 --> 00:09:21,360
Anna had a lot of concerns over the
fabric and...

116
00:09:21,900 --> 00:09:25,740
spoke with Mrs. Pratt on your behalf
many times. We thought that the pieces

117
00:09:25,740 --> 00:09:29,820
just so heavy that you couldn't wear it.
So, Virginia, what was it that they're

118
00:09:29,820 --> 00:09:30,559
going to reinterpret?

119
00:09:30,560 --> 00:09:31,560
Because we really pushed.

120
00:09:31,580 --> 00:09:36,320
That they are doing a version of a
fabric that's silk and mohair as opposed

121
00:09:36,320 --> 00:09:38,680
the heavy wool and mohair. It's a
degradé fabric.

122
00:09:39,100 --> 00:09:45,560
Fantastic. You've made our week, our
three weeks.

123
00:09:45,900 --> 00:09:50,280
Let me touch on something that may be
out of your purview, but maybe you can

124
00:09:50,280 --> 00:09:51,280
also help us.

125
00:09:52,440 --> 00:09:53,440
deliveries of merchandise.

126
00:09:56,400 --> 00:09:58,920
I'll tell you what I'd like you to do.

127
00:09:59,420 --> 00:10:02,020
You are so influential with the
designers.

128
00:10:03,540 --> 00:10:08,920
They have to recognize that the
worldwide demand for their product is

129
00:10:08,920 --> 00:10:12,520
at a rate that even they don't
understand and they're not keeping up

130
00:10:12,520 --> 00:10:15,240
production so that the demand is
outstripping supply.

131
00:10:16,090 --> 00:10:19,490
We were waiting longer and longer and
longer for deliveries. They're coming at

132
00:10:19,490 --> 00:10:23,030
the back end of the delivery schedule
instead of the front end.

133
00:10:23,490 --> 00:10:27,730
And, you know, fashion is fun, and we
all love it, and that's what drives it.

134
00:10:27,810 --> 00:10:33,010
But without the goods, and the ads in
your magazines are fabulous, and I know

135
00:10:33,010 --> 00:10:38,930
you'll look like a telephone book this
year, but you've got to help us with

136
00:10:38,930 --> 00:10:39,930
this.

137
00:10:39,960 --> 00:10:42,460
You have a couple of choices. You can
start sewing yourself.

138
00:10:43,500 --> 00:10:46,600
No, I think you said something very
interesting about which is editing, and

139
00:10:46,600 --> 00:10:50,860
think some of the designers do have a
problem with that, and we are working on

140
00:10:50,860 --> 00:10:53,580
that, and we will certainly, we're right
there with you. Less is more.

141
00:11:03,820 --> 00:11:07,700
I mean, I can't do everything for the
rest of my life but keep myself in

142
00:11:07,700 --> 00:11:10,500
Alderman, which is a... ugly fucking
hair.

143
00:11:13,780 --> 00:11:18,000
I was discussing my September shoot with
Stephen Klein.

144
00:11:18,220 --> 00:11:20,120
I think he really liked it. I

145
00:11:20,120 --> 00:11:28,800
don't

146
00:11:28,800 --> 00:11:33,440
find her to be hidden. I just don't find
her to be accessible to people she

147
00:11:33,440 --> 00:11:35,440
doesn't need to be accessible to.

148
00:11:35,900 --> 00:11:36,960
This I don't think we need.

149
00:11:37,260 --> 00:11:40,420
We'll just wait for whatever it is
they're making and that's it. This I

150
00:11:40,420 --> 00:11:42,640
think we should do. This I don't think
we should do.

151
00:11:43,260 --> 00:11:44,920
This. She's busy.

152
00:11:46,360 --> 00:11:50,240
And she's not warm and friendly. She's
doing her business.

153
00:11:50,600 --> 00:11:51,840
These are all normal.

154
00:11:52,120 --> 00:11:54,280
Yes. I thought this was pretty weak. It
is.

155
00:11:54,560 --> 00:11:56,100
That definitely did a lot of work.

156
00:11:56,400 --> 00:12:00,940
Okay. All right? Yes. We leave warm to
me. I'll have to be warm enough to do

157
00:12:04,640 --> 00:12:08,680
When we put out the September issue of
Vogue, the first thing the reporters

158
00:12:08,680 --> 00:12:14,180
usually ask us is, how much does it
weigh and how many pages?

159
00:12:14,620 --> 00:12:19,620
One in ten American women, almost 13
million people, will get that issue.

160
00:12:20,140 --> 00:12:23,920
A few years ago, when we put out a
record issue of September, it was the

161
00:12:23,920 --> 00:12:25,920
monthly magazine ever published.

162
00:12:26,940 --> 00:12:29,880
We're looking to break that record. We
have to break rules.

163
00:12:30,140 --> 00:12:34,580
I want you to go into it like it's Vogue
the brand and market it like it's never

164
00:12:34,580 --> 00:12:37,280
been marketed in its entire 114 years.

165
00:12:38,160 --> 00:12:39,580
All right, so September.

166
00:12:40,120 --> 00:12:43,600
Deanna, I think we're in excellent
shape, right?

167
00:12:43,860 --> 00:12:44,860
All feathers.

168
00:12:45,000 --> 00:12:46,300
I think this is really cute.

169
00:12:46,540 --> 00:12:51,080
I do too. Do you? Big bird. The team
sees the collections and then comes back

170
00:12:51,080 --> 00:12:55,120
and has fashion meetings, and in the
meetings you dissect the collections and

171
00:12:55,120 --> 00:12:55,999
decide what.

172
00:12:56,000 --> 00:13:00,200
Friends to feature. Andre, he didn't
like how that... I thought it was

173
00:13:02,320 --> 00:13:06,400
September is the January in Farr.

174
00:13:06,620 --> 00:13:08,520
You know? This is when I change.

175
00:13:08,980 --> 00:13:10,280
This is when I say...

176
00:13:10,730 --> 00:13:15,090
You know, I'm going to try to get back
on those high heels, because that's the

177
00:13:15,090 --> 00:13:16,990
look. The jacket is the new clothes.

178
00:13:17,490 --> 00:13:19,210
The look is sexy. The look is granny.

179
00:13:19,510 --> 00:13:20,510
You need to know.

180
00:13:20,690 --> 00:13:22,230
This is heaven. That's gorgeous.

181
00:13:22,570 --> 00:13:23,870
That should be a fashion story.

182
00:13:24,090 --> 00:13:26,010
Well, that's the problem, Grace.

183
00:13:26,230 --> 00:13:30,410
It's an accessible story. Well, it's a
story for crime to be done. Grace, I

184
00:13:30,410 --> 00:13:32,390
you, but it's not what I need in this
September issue.

185
00:13:32,670 --> 00:13:36,550
You have to really find some stories
there, and you have to find stories that

186
00:13:36,550 --> 00:13:37,950
haven't been played out anywhere else.

187
00:13:39,260 --> 00:13:40,400
They have to be on a certain scale.

188
00:13:40,700 --> 00:13:43,560
Having talked to Grace a little bit
about this, I think she very much wants

189
00:13:43,560 --> 00:13:44,560
do texture.

190
00:13:45,520 --> 00:13:47,160
What has that got to do with texture?

191
00:13:47,760 --> 00:13:48,760
Look!

192
00:13:49,660 --> 00:13:50,660
No.

193
00:13:51,180 --> 00:13:52,480
I think you should bring it anyway.

194
00:13:52,700 --> 00:13:53,700
It's breaking my heart.

195
00:13:54,040 --> 00:13:57,080
Usually in the September issue, there's
one big disaster.

196
00:13:57,920 --> 00:14:01,840
There's always one shoot, and that's a
big problem in the issue. Because it's a

197
00:14:01,840 --> 00:14:04,440
big issue, and there's a lot of things
going on.

198
00:14:13,290 --> 00:14:15,130
Let's put that one to the side for now.

199
00:14:17,510 --> 00:14:18,610
And that one too.

200
00:14:18,990 --> 00:14:20,310
Let me see what else there is.

201
00:14:20,650 --> 00:14:23,650
Jonathan Sanders is someone we wanted
to... I mean, we're trying to get him

202
00:14:23,750 --> 00:14:24,750
But it's a different thing.

203
00:14:25,250 --> 00:14:26,330
They're not colour blocking.

204
00:14:29,730 --> 00:14:31,250
I want to kill myself.

205
00:14:31,810 --> 00:14:32,809
You want to kill yourself?

206
00:14:32,810 --> 00:14:34,510
Why? I don't know what I'm doing.

207
00:14:34,990 --> 00:14:35,990
What's happened?

208
00:14:36,190 --> 00:14:37,250
He's got thrown out.

209
00:14:38,830 --> 00:14:40,870
If it's with this... This is what we
did.

210
00:14:54,579 --> 00:15:01,220
You have to demand because

211
00:15:01,220 --> 00:15:08,120
otherwise you'll be blamed Don't be too
nice even to

212
00:15:08,120 --> 00:15:09,120
me

213
00:15:10,160 --> 00:15:14,580
No, honestly, because you lose.

214
00:15:15,120 --> 00:15:21,320
You have to learn the way to beat your
path through to make yourself felt and

215
00:15:21,320 --> 00:15:28,080
make yourself necessary and find a way
that works for you, for Vogue, because

216
00:15:28,080 --> 00:15:33,180
a lot of people have come and a lot of
people have gone. They just couldn't

217
00:15:33,180 --> 00:15:37,100
the heartbreak. You know, you have to be
fairly tough to withstand that.

218
00:15:39,050 --> 00:15:40,090
So it's all pink.

219
00:15:40,390 --> 00:15:41,390
Mm -hmm.

220
00:15:41,470 --> 00:15:45,170
And Virginia, we really feel that this
is the most important message to put in

221
00:15:45,170 --> 00:15:46,170
September issue.

222
00:15:48,590 --> 00:15:50,830
I thought it was pretty.

223
00:15:51,330 --> 00:15:53,790
It looks very springy. Oh, there's a
fur.

224
00:15:54,450 --> 00:15:57,910
Maybe you want to develop it a little
bit more. I'd also like to see what

225
00:15:57,910 --> 00:16:01,210
thinking about with the clothes so I can
get more of a handle on it.

226
00:16:01,430 --> 00:16:04,930
I was thinking maybe it's kind of body
-conscious clothes.

227
00:16:05,390 --> 00:16:08,610
Mm -hmm. And at one point I thought
maybe she could be sort of bionic.

228
00:16:09,550 --> 00:16:10,690
It looks good on the rack.

229
00:16:10,910 --> 00:16:12,530
I feel it's quite one -dimensional.

230
00:16:13,050 --> 00:16:17,450
But also, the girls always look the
same, Elisa. If you look at your

231
00:16:17,470 --> 00:16:20,810
the way they're dressed, it's always the
same. And some other pictures, always

232
00:16:20,810 --> 00:16:26,170
the same. It's usually the same kind of
minimal approach. I mean, it's what you

233
00:16:26,170 --> 00:16:28,710
are. I know, and the girl always turns
her head straight here.

234
00:16:29,430 --> 00:16:33,090
You look at it, just like, it's always
the same. So it would be great if we

235
00:16:33,090 --> 00:16:34,089
could break out.

236
00:16:34,090 --> 00:16:35,090
Thanks.

237
00:16:38,380 --> 00:16:42,540
You know that company Mango in Spain?
They're looking for someone to help them

238
00:16:42,540 --> 00:16:43,540
consult.

239
00:16:43,900 --> 00:16:45,480
Maybe Takun, you think?

240
00:16:45,920 --> 00:16:49,000
I think he's one of the most talented
people out there.

241
00:16:49,260 --> 00:16:52,680
He's coming to see me, I think, this
week, so I could talk to him. Okay.

242
00:17:21,000 --> 00:17:25,339
My father was a newspaper editor. He
edited a newspaper in London called The

243
00:17:25,339 --> 00:17:26,299
Evening Standard.

244
00:17:26,300 --> 00:17:29,680
Former Fleet Street editor Charles
Winter will be assessing the long -term

245
00:17:29,680 --> 00:17:34,320
effects. He came from quite a Victorian
upbringing. I'm not sure his mother ever

246
00:17:34,320 --> 00:17:35,320
spoke to him.

247
00:17:36,440 --> 00:17:41,260
He was also very private and very, in
some ways, inscrutable.

248
00:17:41,680 --> 00:17:46,000
The NPA have about as much collective
spine as a tepid jellyfish.

249
00:17:50,890 --> 00:17:54,750
Growing up in London in the 60s, I mean,
you'd have to be walking around with

250
00:17:54,750 --> 00:17:58,690
Irving Penn's sack over your head not to
know that something extraordinary was

251
00:17:58,690 --> 00:17:59,870
happening in fashion.

252
00:18:00,850 --> 00:18:04,850
The look of the girls then and
everything that was going on, the pill

253
00:18:04,850 --> 00:18:11,310
emancipation of women and the end of the
class system and just sort of seeing

254
00:18:11,310 --> 00:18:14,670
that revolution go on made me love it
from an early age.

255
00:18:21,480 --> 00:18:25,480
I think my father really decided for me
that I should work in fashion. I can't

256
00:18:25,480 --> 00:18:29,240
remember what form it was I had to fill
out. Maybe it was an admissions thing,

257
00:18:29,360 --> 00:18:34,680
and at the bottom it said career
objective, you know, and I looked at it,

258
00:18:34,680 --> 00:18:37,740
shall I do, how shall I fill this out?
He said, well, you write that you want

259
00:18:37,740 --> 00:18:38,740
be editor of Vogue.

260
00:18:38,760 --> 00:18:41,360
So that was it. It was decided.

261
00:18:46,320 --> 00:18:49,780
I haven't known about this piece for a
long time, so I don't want to hear it,

262
00:18:49,840 --> 00:18:51,850
OK? I mean, she should just... Get on
the phone.

263
00:18:52,250 --> 00:18:53,270
This is not clear.

264
00:18:53,550 --> 00:18:54,550
Someone needs to check.

265
00:18:55,230 --> 00:18:56,250
She looks pregnant.

266
00:18:56,570 --> 00:18:58,290
We need to fix her. Yeah.

267
00:19:01,350 --> 00:19:06,370
The first time that you're asked to go
see Anna and show her your collection,

268
00:19:06,470 --> 00:19:08,610
it's like... Intimidating. Insane.

269
00:19:09,110 --> 00:19:13,570
Right. And I remember it was me and
Meredith in Anna's office. It was the

270
00:19:13,570 --> 00:19:14,509
time I met her.

271
00:19:14,510 --> 00:19:20,710
I'm like, oh, my God, it's Anna. It's
like Madonna and Anna, you know? And I

272
00:19:20,710 --> 00:19:24,130
was... Yeah, she's like, okay, go on. So
I'm like talking about the inspiration.

273
00:19:24,450 --> 00:19:27,850
Like I'm moving my hand and I'm like
showing her, you know, the pieces.

274
00:19:28,470 --> 00:19:30,690
And I can see my hand like shaking.

275
00:19:30,890 --> 00:19:32,050
Like it was like shaking.

276
00:19:32,670 --> 00:19:36,930
Because she just sat there the whole
time. Like, mm -hmm, mm -hmm. So then we

277
00:19:36,930 --> 00:19:39,890
get out of there and Meredith's like, oh
my God, you were so well spoken. But

278
00:19:39,890 --> 00:19:41,370
that hand kept shaking.

279
00:19:41,670 --> 00:19:42,670
Aw.

280
00:19:44,910 --> 00:19:45,910
Anna, would you stop it?

281
00:19:46,590 --> 00:19:48,010
Hi, Takuma, how are you?

282
00:19:48,830 --> 00:19:51,450
I have eight gadgets. I don't know how
you want me to lay them out for you.

283
00:19:51,710 --> 00:19:52,689
Right here.

284
00:19:52,690 --> 00:19:54,530
You know tycoon, right?

285
00:19:54,770 --> 00:19:55,770
Yeah.

286
00:19:55,870 --> 00:19:59,690
So these are here. For the Gap project,
the shirt.

287
00:20:00,750 --> 00:20:03,490
And three that would... I'm going to
narrow it down to three.

288
00:20:04,170 --> 00:20:08,090
I think we ought to do one with a little
sleeve. I love a little sleeve. And

289
00:20:08,090 --> 00:20:09,490
then maybe one that's a dress.

290
00:20:10,410 --> 00:20:12,470
It's very hard to be a designer in this
country.

291
00:20:12,870 --> 00:20:18,450
So we... created a fashion fund to draw
attention to new talent, to fund it, and

292
00:20:18,450 --> 00:20:22,970
to get mentoring for it. The winners get
to design something for a mega brand.

293
00:20:23,210 --> 00:20:27,830
I wouldn't discount that. It's got a
simplicity that the customer is going to

294
00:20:27,830 --> 00:20:29,370
immediately acknowledge.

295
00:20:29,910 --> 00:20:32,290
Takun was one of the winners of the
award.

296
00:20:32,730 --> 00:20:38,710
He has all the components to have a
serious, high -end designer line.

297
00:20:39,270 --> 00:20:40,590
I'm happy with those three.

298
00:20:41,130 --> 00:20:42,410
Love it. All right.

299
00:20:42,830 --> 00:20:43,830
Thank you. Thank you.

300
00:20:45,650 --> 00:20:48,430
You never know, though. I mean,
remember, Isaac and Sarashi went out of

301
00:20:48,430 --> 00:20:49,389
business.

302
00:20:49,390 --> 00:20:51,490
Fashion business isn't fair.

303
00:20:51,730 --> 00:20:53,790
They do everything right, and they still
crash.

304
00:21:03,910 --> 00:21:04,910
How does it go?

305
00:21:08,400 --> 00:21:12,660
I'm one of the last remaining fashion
editors who dress the girls myself.

306
00:21:12,900 --> 00:21:17,660
I'm told the very modern thing is to
don't touch the bell. Is that right?

307
00:21:18,180 --> 00:21:23,640
Who does it? I don't know. I'm a bit old
-fashioned.

308
00:21:31,720 --> 00:21:33,820
I love this. I say I love this.

309
00:21:37,070 --> 00:21:38,570
Good social. What's it like, guys?

310
00:21:39,190 --> 00:21:43,230
It looks like it's got a plastic bag on,
but it looks good.

311
00:21:44,630 --> 00:21:49,710
Garbage. I started

312
00:21:49,710 --> 00:21:59,210
reading

313
00:21:59,210 --> 00:22:04,810
Vogue when I was a teenager and I grew
up in North Wales and it was kind of

314
00:22:04,810 --> 00:22:05,890
difficult to get.

315
00:22:06,670 --> 00:22:10,850
So I used to order it and rush once a
month to get my copy, which was probably

316
00:22:10,850 --> 00:22:11,890
three months out of date.

317
00:22:12,550 --> 00:22:15,950
I loved the whole sort of chic thing
that was so entirely out of context

318
00:22:15,950 --> 00:22:18,970
compared to the lifestyle I led.

319
00:22:19,190 --> 00:22:21,110
You know, I went to school, I went to a
convent.

320
00:22:21,310 --> 00:22:24,710
I never went anywhere for my holidays,
and so I just looked at Vogue.

321
00:22:26,990 --> 00:22:32,450
At the same time, there was a Vogue
model competition, and somebody sent my

322
00:22:32,450 --> 00:22:33,450
bad pictures in.

323
00:22:34,150 --> 00:22:39,210
and I actually won the young section,
because I was quite young at that time.

324
00:22:39,950 --> 00:22:42,830
And so I started modeling for Vogue.

325
00:22:49,130 --> 00:22:54,790
Somehow everything I did, I kind of fell
into. I just knew that I probably had

326
00:22:54,790 --> 00:22:56,010
to get out of that place.

327
00:22:56,650 --> 00:23:00,990
So I went up to London, and I became a
full -time model.

328
00:23:18,380 --> 00:23:23,060
These are the pictures of me by the
photographers.

329
00:23:24,560 --> 00:23:26,980
This is one of my very first model
pictures.

330
00:23:28,020 --> 00:23:31,940
It's probably in 59 by Lord Snowden.

331
00:23:34,240 --> 00:23:36,300
I stopped modeling because I had a car
crash.

332
00:23:37,520 --> 00:23:42,800
My head went into the driving mirror, or
my eye went into the driving mirror, so

333
00:23:42,800 --> 00:23:45,020
I had a lot of plastic surgery.

334
00:23:48,220 --> 00:23:52,580
Then two years later I sort of went back
to work. This is from a shoot that I

335
00:23:52,580 --> 00:23:57,740
did with Bailey Helmut. This is Manolo
Blahnik and this is Angelica Houston

336
00:23:57,740 --> 00:23:58,740
she was modelling.

337
00:23:58,900 --> 00:24:04,080
I was offered a job at British Vogue. I
was a junior editor and

338
00:24:04,080 --> 00:24:07,860
kind of slowly worked my way up.

339
00:24:20,240 --> 00:24:21,119
Oh, you're cute.

340
00:24:21,120 --> 00:24:23,040
It was great. It was great.

341
00:24:36,920 --> 00:24:37,920
I'm good.

342
00:24:40,300 --> 00:24:41,620
You're good, aren't you?

343
00:24:41,860 --> 00:24:44,660
You stole that. Thanks. Grace and Craig.

344
00:24:45,040 --> 00:24:46,040
Beautiful.

345
00:24:48,720 --> 00:24:51,800
Grace is without question the greatest
living stylist. There's no one better

346
00:24:51,800 --> 00:24:56,660
than Grace. There's no one who can make
any photographer take more beautiful,

347
00:24:56,780 --> 00:25:02,800
more interesting, more romantic, more
just stunningly realized pictures than

348
00:25:02,800 --> 00:25:06,160
Grace. There's no one better, period.

349
00:25:06,520 --> 00:25:10,400
She comes from the idea that fashion is
this world of play and make -believe.

350
00:25:10,680 --> 00:25:15,080
It's as if someone's gone to the
dressing -up box and found the most kind

351
00:25:15,080 --> 00:25:17,060
wonderful personal things and put them
together.

352
00:25:17,710 --> 00:25:18,710
But it's beautiful.

353
00:25:20,370 --> 00:25:21,370
Hi.

354
00:25:25,850 --> 00:25:28,270
I'm not crazy about this one, are you? I
like it.

355
00:25:29,350 --> 00:25:30,350
Do we need this?

356
00:25:31,430 --> 00:25:33,710
It's just not getting texted to me, all
the others.

357
00:25:34,570 --> 00:25:36,310
Do you understand what I'm saying? Yeah.

358
00:25:36,590 --> 00:25:39,490
I'm just really, really concerned about
how much luck we're getting.

359
00:25:39,850 --> 00:25:42,350
So, if we would take another one out.

360
00:25:43,370 --> 00:25:46,050
Maybe that's... Let me see.

361
00:25:46,970 --> 00:25:47,970
Let me just see it. Okay.

362
00:25:48,190 --> 00:25:49,270
Okay. Who did that?

363
00:25:49,750 --> 00:25:50,910
I think it's Rodarte.

364
00:26:04,090 --> 00:26:05,690
What have they snipped off here?

365
00:26:06,390 --> 00:26:07,390
Which one went?

366
00:26:07,570 --> 00:26:10,210
That's the guess. Oh, yes, of course,
the other black one.

367
00:26:11,790 --> 00:26:13,850
Those poor goddamn Rodartes.

368
00:26:14,090 --> 00:26:15,110
I know, they're out.

369
00:26:17,750 --> 00:26:18,830
Rubber's not a texture?

370
00:26:19,670 --> 00:26:20,670
No, not for Anna.

371
00:26:21,310 --> 00:26:24,490
And leather. We ordered it. We ordered
all the prints, so... Oh, yeah, I've

372
00:26:24,490 --> 00:26:25,229
heard that story.

373
00:26:25,230 --> 00:26:26,230
Yeah.

374
00:26:27,810 --> 00:26:31,410
But it's such a great picture, that. No,
Anna actually liked it as a picture.

375
00:26:32,970 --> 00:26:34,350
She thought it wasn't texture.

376
00:26:34,570 --> 00:26:35,570
It is texture.

377
00:26:47,040 --> 00:26:48,100
At the waistline, madam.

378
00:26:52,600 --> 00:26:53,600
Do we need pockets?

379
00:27:03,140 --> 00:27:06,520
So this one, is it not around? Yes, it
is.

380
00:27:27,489 --> 00:27:31,070
I personally would not put this one in
the show, but the other things you've

381
00:27:31,070 --> 00:27:33,010
shown us are exciting.

382
00:27:34,150 --> 00:27:36,870
All this actually is still under
consideration.

383
00:27:37,470 --> 00:27:38,470
Listen,

384
00:27:39,310 --> 00:27:43,030
we have 150 pieces and we have to edit
them down to 65.

385
00:27:43,590 --> 00:27:45,430
Grace is very good at that. Go on,
Grace.

386
00:27:46,110 --> 00:27:50,110
I don't think we could take Anna's
slashing.

387
00:27:52,710 --> 00:27:54,710
That's the man from Angle.

388
00:27:55,190 --> 00:27:57,110
Who do you think that would be good?

389
00:27:57,590 --> 00:28:01,010
And apparently they pay extremely well.

390
00:28:01,990 --> 00:28:05,710
And perhaps they want to... I'm going to
propose you and me.

391
00:28:06,710 --> 00:28:07,790
Who is this?

392
00:28:08,910 --> 00:28:09,910
Takun.

393
00:28:10,670 --> 00:28:11,670
He's really good.

394
00:28:24,170 --> 00:28:25,390
See, now it's beautiful.

395
00:28:26,790 --> 00:28:28,130
Now it's really pretty.

396
00:28:31,690 --> 00:28:35,590
This is good.

397
00:28:35,970 --> 00:28:36,990
This is good.

398
00:28:37,370 --> 00:28:38,710
So, for the brooch.

399
00:28:39,710 --> 00:28:40,710
Long time.

400
00:28:41,070 --> 00:28:42,150
We have this.

401
00:28:42,510 --> 00:28:44,710
I think it's cool.

402
00:28:46,110 --> 00:28:47,110
It's like a neck brace.

403
00:28:47,530 --> 00:28:50,790
Well, first we thought maybe it was a
scarf. We thought it was a neck brace.

404
00:28:50,910 --> 00:28:51,910
Yeah.

405
00:28:57,360 --> 00:28:59,080
I moved on, I'm on to Twenties now.

406
00:28:59,980 --> 00:29:05,740
Twenties is something that, well really
the inspiration was John Galliano's

407
00:29:05,740 --> 00:29:11,320
show. He was inspired by the
photographer Brass Eye, who is a

408
00:29:11,320 --> 00:29:12,320
the Twenties.

409
00:29:13,380 --> 00:29:18,080
Shoes, I'm very desperate for, it just
has to be something that slightly evokes

410
00:29:18,080 --> 00:29:19,080
the Twenties.

411
00:29:20,600 --> 00:29:21,880
What has she got, well.

412
00:29:48,220 --> 00:29:49,220
They're so beautiful.

413
00:29:50,570 --> 00:29:52,230
Okay, are they coming for the run
-through, please?

414
00:29:53,190 --> 00:29:55,570
That was just Anna's office. She has an
11 o 'clock appointment.

415
00:29:56,050 --> 00:29:59,770
So what does that mean? It's 10 till 11
right now. So she wants to see me

416
00:29:59,770 --> 00:30:00,770
before?

417
00:30:02,070 --> 00:30:03,350
Virginia? Yes.

418
00:30:03,610 --> 00:30:06,270
Anna wants to see us now because she has
somewhere to be at 11.

419
00:30:06,750 --> 00:30:07,750
Okay.

420
00:30:07,990 --> 00:30:08,990
We're going in.

421
00:30:13,960 --> 00:30:17,360
stuff here, and I don't know how many
double, triple, singles I'm doing.

422
00:30:17,580 --> 00:30:20,940
But maybe we can prioritize what... But
yeah, and you should, you know, if you

423
00:30:20,940 --> 00:30:23,600
hate something, just say, I never want
to see that in the magazine.

424
00:30:23,800 --> 00:30:29,760
Okay. Well, there's two coats here. I'm
sort of undecided about them, but... It

425
00:30:29,760 --> 00:30:31,360
is similar to the one we did in July.

426
00:30:31,640 --> 00:30:34,280
It's not, because you're thinking of the
one we shot and didn't run.

427
00:30:36,000 --> 00:30:39,260
I've shot them twice, but we have not
had them in the magazine.

428
00:30:39,580 --> 00:30:42,620
The coat didn't run. Anyway, there's all
these little dresses.

429
00:30:43,600 --> 00:30:45,460
And then this little coat.

430
00:30:45,800 --> 00:30:48,300
I love all these little evening things.

431
00:30:48,740 --> 00:30:50,020
Let's remove the coat.

432
00:30:50,460 --> 00:30:52,480
I have to have a little freedom to play
around.

433
00:30:52,980 --> 00:30:56,440
Grace, I mean, there's a lot of wearable
things in this, and I want this to be

434
00:30:56,440 --> 00:30:58,020
more wearable than not.

435
00:30:58,320 --> 00:31:01,340
I started working for American Vogue the
same day as Anna did.

436
00:31:01,580 --> 00:31:07,340
I think we understand each other pretty
much, just through, you know, living

437
00:31:07,340 --> 00:31:08,560
together for 20 years.

438
00:31:09,200 --> 00:31:10,420
She knows I'm stubborn.

439
00:31:11,200 --> 00:31:15,020
I know she's stubborn, and I know when
to stop pushing her.

440
00:31:15,840 --> 00:31:17,480
She doesn't know when to stop pushing
me.

441
00:31:18,040 --> 00:31:19,740
Is it odd just having one fur?

442
00:31:19,980 --> 00:31:22,960
I mean, should we have one other thing
that has a fur?

443
00:31:23,260 --> 00:31:25,880
I mean, I think it's odd to have one. I
mean, maybe you're going to do a fur

444
00:31:25,880 --> 00:31:26,880
hat.

445
00:31:27,340 --> 00:31:29,820
It's sort of strange to have a whole
shoe. Well, I'm trying to make as many

446
00:31:29,820 --> 00:31:32,860
different looks as possible, because
otherwise you're going to get bored.

447
00:31:33,180 --> 00:31:38,460
Well, I would take that out, and then
these are all out. Is that right? No,

448
00:31:38,540 --> 00:31:39,740
absolutely not.

449
00:31:40,659 --> 00:31:42,020
These are beautiful.

450
00:31:42,420 --> 00:31:44,420
I mean, don't throw those out. They're
beautiful.

451
00:31:45,040 --> 00:31:46,660
And I don't think we should do this.

452
00:31:46,880 --> 00:31:48,200
That's the one from the resort, right?

453
00:31:48,440 --> 00:31:50,000
Yeah, it's so perfect.

454
00:31:50,300 --> 00:31:53,700
I know, but going to the store in
November, you can do it in the November

455
00:32:02,560 --> 00:32:04,300
How come she thinks I'm leaving these
out?

456
00:32:04,760 --> 00:32:06,800
I know, I love those. That was
unbelievable.

457
00:32:07,080 --> 00:32:08,200
Well, I'm not leaving them out.

458
00:32:09,080 --> 00:32:10,080
So cute.

459
00:32:10,330 --> 00:32:11,330
Yeah. Yeah.

460
00:32:11,590 --> 00:32:12,590
And perfect.

461
00:32:13,470 --> 00:32:18,030
And what is this thing about we need a
fur coat to match that one?

462
00:32:18,290 --> 00:32:19,290
Or a fur hat.

463
00:32:19,410 --> 00:32:20,410
Oh, please.

464
00:32:20,490 --> 00:32:21,490
I mean, look.

465
00:32:21,770 --> 00:32:24,390
What's this? Oh, she's thrown it out.
This is fur.

466
00:32:25,370 --> 00:32:26,570
This is fur.

467
00:32:26,890 --> 00:32:27,890
This is fur.

468
00:32:32,530 --> 00:32:34,270
That's the craziest thing I've heard.

469
00:32:49,710 --> 00:32:54,750
These are all the September issues that
your mother has done. Yeah. She had a

470
00:32:54,750 --> 00:33:00,070
lot of her old issues, and then one time
I came in here and looked and saw that

471
00:33:00,070 --> 00:33:03,850
she didn't have everything that she'd
ever done, and I just thought it would

472
00:33:03,850 --> 00:33:05,990
nice for her. So now she's got
everything.

473
00:33:08,510 --> 00:33:09,770
I remember that.

474
00:33:10,170 --> 00:33:11,230
That was controversial.

475
00:33:11,490 --> 00:33:12,489
That was controversial.

476
00:33:12,490 --> 00:33:16,930
Putting a black girl on the September
cover was my first one. That was

477
00:33:16,930 --> 00:33:17,930
considered questionable.

478
00:33:18,960 --> 00:33:23,040
This got a lot of attention, fur on the
cover. This is the death warmed up

479
00:33:23,040 --> 00:33:24,180
cover. This one's really cute.

480
00:33:26,080 --> 00:33:29,040
I know, but they look so pale.

481
00:33:29,920 --> 00:33:33,420
I certainly read British Folk when I was
14, 15.

482
00:33:34,000 --> 00:33:35,000
This is the one you hated?

483
00:33:35,220 --> 00:33:36,220
Yes.

484
00:33:36,320 --> 00:33:40,980
My American grandmother used to send me
17. That was a very high point of my

485
00:33:40,980 --> 00:33:42,040
childhood every month.

486
00:33:42,340 --> 00:33:43,340
All right, Gwyneth.

487
00:33:43,500 --> 00:33:44,920
This is when we moved into celebrities.

488
00:33:48,430 --> 00:33:49,870
You've got to decide between these two.

489
00:33:50,430 --> 00:33:53,970
Which do you like? I like the color on
that one. You do? But I like the dress

490
00:33:53,970 --> 00:33:54,970
the other one.

491
00:33:55,350 --> 00:34:00,590
And then the other thing I wanted to
tell you, darling, was your look.

492
00:34:01,590 --> 00:34:03,510
Her hair doesn't have space in the other
one.

493
00:34:07,890 --> 00:34:09,409
You like that one?

494
00:34:09,929 --> 00:34:10,929
One of them.

495
00:34:12,070 --> 00:34:15,310
Do you think you'd ever work at a
magazine with your mom?

496
00:34:15,750 --> 00:34:16,750
Never.

497
00:34:18,219 --> 00:34:21,639
I think I'm going to go to law school,
so probably not.

498
00:34:23,219 --> 00:34:24,219
But I don't know.

499
00:34:25,040 --> 00:34:26,340
I'm going to get through college first.

500
00:34:28,620 --> 00:34:29,620
Sorry, Mommy.

501
00:34:30,540 --> 00:34:31,540
Early days. We'll see.

502
00:34:33,199 --> 00:34:36,179
I really don't want to work in fashion.
It's just not for me. I really respect

503
00:34:36,179 --> 00:34:37,179
her, obviously.

504
00:34:39,380 --> 00:34:44,800
But it's a really weird industry to me,
and it's just not for me.

505
00:34:45,900 --> 00:34:47,199
She wants me to be an editor.

506
00:34:48,080 --> 00:34:52,139
I don't want to put it down, but I would
never want to take it too seriously.

507
00:34:52,600 --> 00:34:55,659
Some of the people in there act like
fashion is life.

508
00:34:55,880 --> 00:35:00,940
And it's just, it's really amusing and
you can make fun of them. But for that

509
00:35:00,940 --> 00:35:04,000
be your career, it's just, you know,
there are other things out there.

510
00:35:17,000 --> 00:35:18,260
They're very clean and crisp.

511
00:35:18,640 --> 00:35:20,240
Almost. This is a compliment.

512
00:35:20,480 --> 00:35:23,260
Institutional. Clinical. Clinical. You
got it. Andre.

513
00:35:24,320 --> 00:35:26,380
Andre's having a great time with Isabel
today.

514
00:35:27,420 --> 00:35:31,380
Fabulous time. Had all these ideas of
dualizing that we could do. We're doing

515
00:35:31,380 --> 00:35:32,279
all that.

516
00:35:32,280 --> 00:35:33,540
You make sunglasses too?

517
00:35:33,860 --> 00:35:34,860
Upside down.

518
00:35:35,980 --> 00:35:36,980
Upside down.

519
00:35:37,300 --> 00:35:38,760
You have such an eye.

520
00:35:41,440 --> 00:35:43,540
Make sure you feature the best.

521
00:35:52,019 --> 00:35:53,019
Pretty thematic.

522
00:35:53,560 --> 00:35:55,860
Mm -hmm. I like that a lot. Yeah, I
really do.

523
00:36:01,880 --> 00:36:02,880
Look.

524
00:36:03,580 --> 00:36:04,580
Beautiful.

525
00:36:08,780 --> 00:36:09,780
This is it.

526
00:36:11,580 --> 00:36:14,620
I don't know the way these couple
parents look, do you? They look big.

527
00:36:16,080 --> 00:36:19,520
Are there any more choices, or is this
kind of it? These are all, you know,

528
00:36:19,560 --> 00:36:20,560
within.

529
00:36:23,340 --> 00:36:28,820
you know, little dark wigs we've seen
quite often, so you have to find another

530
00:36:28,820 --> 00:36:30,180
way to do a 20s.

531
00:36:31,140 --> 00:36:32,140
Do you like that?

532
00:36:34,160 --> 00:36:41,140
The girls were wonderful and they

533
00:36:41,140 --> 00:36:42,700
all seem to work perfectly.

534
00:36:43,900 --> 00:36:47,460
I hope it looks as good as I think it
does.

535
00:36:52,360 --> 00:36:55,480
We've done them in a very soft color.

536
00:36:56,640 --> 00:37:00,020
It's almost like old film that's faded.

537
00:37:01,440 --> 00:37:06,300
I love when it goes soft, and even
sometimes if there's movement, there's a

538
00:37:06,300 --> 00:37:12,240
little blur and things, but everybody
seems to like things pin sharp these

539
00:37:12,280 --> 00:37:13,280
I think it's a shame.

540
00:37:24,910 --> 00:37:25,910
I hope it's okay.

541
00:37:26,250 --> 00:37:28,510
Yeah. This morning.

542
00:37:28,750 --> 00:37:31,670
This morning? Yeah. I mean, I knew that
they were doing an ad, but I didn't

543
00:37:31,670 --> 00:37:34,490
know. That that would be on the cover.
Right. It's kind of exciting.

544
00:37:34,810 --> 00:37:39,930
I guess just to start at the beginning
with when the Gap came to you.

545
00:37:40,170 --> 00:37:45,130
It was Vogue I called and said that, you
know, we are working with the Gap this

546
00:37:45,130 --> 00:37:49,570
coming up year. And we, you know, we
want to launch the partnership with this

547
00:37:49,570 --> 00:37:51,410
concept of reworking the white shirt
idea.

548
00:37:59,760 --> 00:38:01,340
Thank you. Your face is everywhere.

549
00:38:01,660 --> 00:38:03,440
How are you? Good. It's so amazing.

550
00:38:04,200 --> 00:38:05,920
It's so pretty. It's so nice.

551
00:38:06,340 --> 00:38:07,600
Hi, Anna. How are you?

552
00:38:08,360 --> 00:38:13,140
So, I told you I'd get you the gas. I
know, I know. You got me a huge thing,

553
00:38:13,220 --> 00:38:14,540
which is great. Thank you so much.

554
00:38:14,840 --> 00:38:17,860
It's so funny. I was just thinking about
our conversation a little bit. I know,

555
00:38:17,900 --> 00:38:21,580
I know. I didn't realize it was going to
turn into such a big deal.

556
00:38:22,040 --> 00:38:23,180
Have you had a good response?

557
00:38:23,440 --> 00:38:25,220
Yes. I think they're sold out online.

558
00:38:25,800 --> 00:38:26,800
Really? Yeah.

559
00:38:27,220 --> 00:38:28,220
Sorry.

560
00:38:51,790 --> 00:38:55,210
This is what we shot the other day. It
was really divine.

561
00:38:55,550 --> 00:38:59,630
This is all Galeano, who was the
inspiration and the start of the whole

562
00:39:00,050 --> 00:39:02,190
But I completely fell in love with
these.

563
00:39:05,530 --> 00:39:10,110
This is Coco. She was doing the child's
mirror on the bar. It nearly fell off,

564
00:39:10,170 --> 00:39:11,970
but I think that's kind of great.

565
00:39:23,080 --> 00:39:24,600
We're going to try to print these out
again brighter.

566
00:39:25,120 --> 00:39:26,120
Okay.

567
00:39:26,540 --> 00:39:27,600
I think

568
00:39:27,600 --> 00:39:38,880
you

569
00:39:38,880 --> 00:39:42,980
have more personality out of these than
you do on that.

570
00:39:44,500 --> 00:39:51,140
I know this one's again the group.

571
00:39:51,560 --> 00:39:53,980
Yeah. But maybe if it's more in the
middle, it might work.

572
00:39:54,980 --> 00:39:55,980
We'll see. All right.

573
00:39:56,640 --> 00:39:57,640
How many are there?

574
00:39:58,340 --> 00:40:00,900
22. Well, that'll give you the right
number. That'll give you the right

575
00:40:01,740 --> 00:40:02,740
Okay,

576
00:40:02,780 --> 00:40:05,500
I have to find out how much. I'm going
to go check and see how much of that is

577
00:40:05,500 --> 00:40:06,500
in the syrup.

578
00:40:06,860 --> 00:40:10,480
I need to print out the beauty better.
Yeah, for sure. Okay. And then try to

579
00:40:10,480 --> 00:40:11,800
print this out better, too, if you can.

580
00:40:22,190 --> 00:40:25,570
Well, look, I think it's because there's
more color. No, because even the

581
00:40:25,570 --> 00:40:29,750
beauty, it's everything. I think it's
just the printer right now.

582
00:40:30,890 --> 00:40:31,890
It's the printer right now.

583
00:40:32,770 --> 00:40:33,830
They're meant to be soft.

584
00:40:34,150 --> 00:40:35,150
They're meant to be.

585
00:40:35,190 --> 00:40:37,850
Okay. That's the point. But the colors
are not like this, though. Like this.

586
00:40:38,610 --> 00:40:39,610
Right. They are.

587
00:40:39,630 --> 00:40:43,310
They have to be like that. I mean,
they're meant to be. They're not

588
00:40:43,310 --> 00:40:47,590
be bright, you know, like this. No, no,
no. I know that. No, no, no. I know.

589
00:40:47,870 --> 00:40:50,790
So don't try because you won't get
anywhere.

590
00:40:51,500 --> 00:40:54,460
I mean, you probably will, because you
can probably pump them up, but that's

591
00:40:54,460 --> 00:40:55,680
really a shame. Is this out?

592
00:40:56,100 --> 00:40:57,100
Maybe.

593
00:40:57,220 --> 00:40:58,118
Are you kidding?

594
00:40:58,120 --> 00:40:59,120
No. Why?

595
00:40:59,940 --> 00:41:01,920
Because it doesn't feel like it goes
through the rest of the story so much.

596
00:41:03,500 --> 00:41:04,379
Wait and see.

597
00:41:04,380 --> 00:41:06,420
This isn't early yet. We have the whole
issue to put together.

598
00:41:07,820 --> 00:41:11,100
I don't get why you wouldn't get it.
That's all Galeano.

599
00:41:12,460 --> 00:41:13,460
The point of the thing.

600
00:41:14,120 --> 00:41:15,120
You've got a few more.

601
00:41:15,400 --> 00:41:16,860
You've got a few more in there. Yeah.

602
00:41:17,700 --> 00:41:18,700
I love this.

603
00:41:19,820 --> 00:41:20,820
It's one of Holly's.

604
00:41:24,540 --> 00:41:25,540
It's astounding.

605
00:41:29,680 --> 00:41:33,640
No, they're supposed to be soft like
that. They're supposed to be backlit.

606
00:41:33,640 --> 00:41:36,800
maybe all the things she doesn't like,
but that's what they're supposed to be.

607
00:41:36,960 --> 00:41:37,960
No, it's great.

608
00:41:38,540 --> 00:41:39,540
It's really nice.

609
00:41:54,900 --> 00:41:57,660
I'll go to it. Sure. Call me when.

610
00:42:01,060 --> 00:42:07,340
Sorry about that.

611
00:42:12,840 --> 00:42:14,380
It's like a girly heaven.

612
00:42:16,080 --> 00:42:18,560
Holy... Oh, my God. Is that the Marquis
drone?

613
00:42:19,080 --> 00:42:20,480
Oh, my God. Amazing.

614
00:42:20,820 --> 00:42:22,300
Andrea. Amazing.

615
00:42:22,680 --> 00:42:25,440
Oh, my God. Is that wings? No.

616
00:42:27,400 --> 00:42:31,100
I don't understand how everyone sort of
collectively does something.

617
00:42:31,300 --> 00:42:33,140
Do they do them? Do they design them?
Yeah.

618
00:42:33,900 --> 00:42:35,700
It's a September issue as well.

619
00:42:37,900 --> 00:42:38,859
Hi, guys.

620
00:42:38,860 --> 00:42:40,920
Hi. Hello. How are you? I'm good.

621
00:42:41,680 --> 00:42:46,580
Hello. Hi, this is Amanda. Hi, I'm Anna.
How are you? Thank you for coming.

622
00:42:46,990 --> 00:42:47,990
Do you want to try that?

623
00:42:50,410 --> 00:42:52,050
It's quite ridiculous.

624
00:42:52,490 --> 00:42:57,190
The evolution for Vogue to putting
celebrities on its covers has been

625
00:42:57,190 --> 00:43:03,110
Anna. She was ahead of the curve to
appreciate the fact that celebrity

626
00:43:03,110 --> 00:43:05,530
became overwhelming.

627
00:43:06,130 --> 00:43:09,030
Am I supposed to pose in this bit? No. I
don't know.

628
00:43:09,270 --> 00:43:13,830
What Vogue did, and what the supermodels
did in the pages of Vogue, is that they

629
00:43:13,830 --> 00:43:15,450
trained a generation of celebrities.

630
00:43:16,300 --> 00:43:17,620
to want to be supermodels.

631
00:43:18,820 --> 00:43:22,340
Actresses started believing that fashion
was a seamless part of life and a

632
00:43:22,340 --> 00:43:24,360
seamless part of celebrity and that it
was fine.

633
00:43:44,080 --> 00:43:45,080
This is amazing.

634
00:43:45,300 --> 00:43:46,760
I thought it was in Paris.

635
00:43:46,980 --> 00:43:47,980
It's amazing.

636
00:43:48,040 --> 00:43:50,040
And the rest of the shoot is just
brilliant, Grace.

637
00:43:50,260 --> 00:43:53,400
Well, do mention it to Anna because
she's still talking about it. Oh, it's

638
00:43:53,400 --> 00:43:56,140
beautiful. It is beautiful. She took out
the two best pictures.

639
00:43:58,440 --> 00:44:01,080
Tom, do you want to do the hair stuff?

640
00:44:01,340 --> 00:44:02,540
Or do you want to do that another time?

641
00:44:02,840 --> 00:44:08,700
You know what? I just want to show you
this. This was what we looked up.

642
00:44:09,020 --> 00:44:12,200
Which I love. It's divine. My hair's too
thick to do it with.

643
00:44:12,400 --> 00:44:13,940
I mean, you're great in short hair.

644
00:44:14,180 --> 00:44:15,180
You look better.

645
00:44:15,720 --> 00:44:16,720
I do.

646
00:44:17,640 --> 00:44:21,880
I mean, I have a survey of every
hairstyle you have on my board. I'm

647
00:44:23,300 --> 00:44:30,140
The suit is centered around a weekend in
Rome. She's going to go around town,

648
00:44:30,300 --> 00:44:34,040
and I have to storyboard that,
literally, because this is going to be

649
00:44:34,040 --> 00:44:36,220
produced. Otherwise, it's going to be
chaos.

650
00:44:48,120 --> 00:44:49,780
Feathers. I'm going to Europe today.

651
00:44:50,580 --> 00:44:52,440
Rome, Paris, and London.

652
00:44:53,080 --> 00:44:54,320
What time are we leaving on Wednesday?

653
00:44:54,880 --> 00:44:56,180
We're kneeling your age tonight.

654
00:44:56,800 --> 00:44:57,800
Just show me a time.

655
00:44:58,160 --> 00:45:01,180
Have we organized where they would bring
these dresses in Rome?

656
00:45:01,420 --> 00:45:02,420
No.

657
00:45:03,780 --> 00:45:06,900
It's a problem when yours are the first
pictures in, because people get bored

658
00:45:06,900 --> 00:45:07,900
with them.

659
00:45:08,110 --> 00:45:12,970
So she's going to love the Rome pictures
because they'll come straight in and

660
00:45:12,970 --> 00:45:15,150
they'll go straight to Pratt.

661
00:45:15,690 --> 00:45:20,430
If Sienna gets sick and doesn't turn up
in Rome, maybe all the pictures will

662
00:45:20,430 --> 00:45:21,430
come back.

663
00:45:23,850 --> 00:45:26,950
They'll probably find another celebrity
to take her past, I don't know.

664
00:45:34,730 --> 00:45:36,670
So, should we not talk about fellas
anymore?

665
00:45:36,910 --> 00:45:39,430
The discussion is over.

666
00:45:40,090 --> 00:45:44,990
Okay, is there anything we need to talk
about for December that we can back?

667
00:45:48,430 --> 00:45:49,430
Well,

668
00:45:52,150 --> 00:45:58,790
yeah, we have, you know, like, are there
any restrictions on cure?

669
00:45:59,270 --> 00:46:02,870
The budget is the problem because, you
know, for obvious reasons.

670
00:46:04,230 --> 00:46:06,650
It's not fine. It's not that simple.

671
00:46:08,650 --> 00:46:13,910
It's a hell of a lot of work to put
together, which I don't want to do if

672
00:46:13,910 --> 00:46:17,930
have a limited budget. I can't really
find out what the limit is because the

673
00:46:17,930 --> 00:46:18,930
limit keeps changing.

674
00:46:22,870 --> 00:46:27,710
Now I'm in a really foul mood because
they've killed another spread of my 20th

675
00:46:27,710 --> 00:46:28,638
story.

676
00:46:28,640 --> 00:46:32,360
And they're about to kill another one.
And they're all lying to me about it,

677
00:46:32,400 --> 00:46:34,460
including Danko, who I thought was my
friend.

678
00:46:37,400 --> 00:46:41,840
And you just sit here and everything is
killed. It's, like, incredibly boring.

679
00:46:44,460 --> 00:46:48,740
And I love to talk money in front of you
guys with Anna because it drives her

680
00:46:48,740 --> 00:46:49,740
crazy.

681
00:46:50,880 --> 00:46:52,620
Sure way to get the budget up.

682
00:46:56,140 --> 00:46:57,300
I don't like...

683
00:46:59,299 --> 00:47:00,640
No. No, we do this too.

684
00:47:02,220 --> 00:47:05,900
No, no, that's not a good place for that
to go.

685
00:47:06,880 --> 00:47:07,880
Oh, okay.

686
00:47:11,620 --> 00:47:12,820
This is too long, Charlie.

687
00:47:13,140 --> 00:47:15,360
I think it's spread too long.

688
00:47:16,020 --> 00:47:18,940
All right, we'll take it down. It's
easier to take it down then if that's

689
00:47:18,940 --> 00:47:19,960
case. I'm leaving.

690
00:47:20,360 --> 00:47:21,420
Yes, I'll have them do it right away.

691
00:47:22,500 --> 00:47:23,500
Wait till I've gone.

692
00:47:23,840 --> 00:47:24,840
Okay.

693
00:47:28,160 --> 00:47:29,160
Didier?

694
00:47:29,840 --> 00:47:31,040
I'm fine. How are you?

695
00:47:32,480 --> 00:47:35,320
I think that it's actually going to be a
wig, Didier, so you're going to need

696
00:47:35,320 --> 00:47:37,040
time to... Yeah, mm -hmm.

697
00:47:37,980 --> 00:47:42,080
Her hair is just completely lackluster,
and she's growing it out. She won't cut

698
00:47:42,080 --> 00:47:45,120
it, you know, blah, blah, blah, blah,
blah. It might be just easier to do a

699
00:47:46,480 --> 00:47:49,900
Do you need this? A new ticket, sorry.
It's a July Europe envelope.

700
00:47:50,260 --> 00:47:52,480
Okay, and what about money?

701
00:47:52,780 --> 00:47:54,500
The money is in the bag. Okay, okay.

702
00:47:55,600 --> 00:47:56,880
I'm going to see you guys in Europe.

703
00:47:57,240 --> 00:47:58,240
Thank you.

704
00:48:26,670 --> 00:48:31,330
Disgusting. And it's going to be around
until the next... Until Tannik is going

705
00:48:31,330 --> 00:48:32,330
to come in.

706
00:48:32,670 --> 00:48:36,130
And, you know... No, that's for next
month. No, the NR is not next month.

707
00:48:37,270 --> 00:48:41,050
But we're not going to really do the
issue until Tannik gets back. We're just

708
00:48:41,050 --> 00:48:42,050
putting all these things up.

709
00:48:42,250 --> 00:48:43,610
Well, no, you're taking them all down.

710
00:48:44,350 --> 00:48:45,430
Taking everything down.

711
00:48:47,270 --> 00:48:50,870
I took two more out, and there's
question marks on two more.

712
00:48:52,390 --> 00:48:54,050
So it's been whittled down.

713
00:48:57,130 --> 00:48:58,130
I'm furious.

714
00:49:00,370 --> 00:49:04,430
They've probably thrown out $50 ,000
worth of work.

715
00:49:06,390 --> 00:49:11,110
I care very much about what I do. I do,
or I wouldn't be still doing it, you

716
00:49:11,110 --> 00:49:12,110
know.

717
00:49:13,190 --> 00:49:17,450
But it gets harder and harder to see it
just thrown out.

718
00:49:27,210 --> 00:49:29,230
And it's very hard to go on to the next
thing.

719
00:50:23,310 --> 00:50:24,990
Did they give you the message about to
know?

720
00:50:25,710 --> 00:50:27,090
That you're going this afternoon? Yeah.

721
00:51:10,899 --> 00:51:17,840
The dress is not done. The dress is not
done. But it will be like

722
00:51:17,840 --> 00:51:20,040
the dress like Pierre Forger, you know.

723
00:51:20,680 --> 00:51:24,820
The collection is different prints of
different countries.

724
00:51:35,320 --> 00:51:42,320
Well, you know, I'm doing a shoot here

725
00:51:42,320 --> 00:51:43,320
in Paris.

726
00:51:43,400 --> 00:51:46,640
I mean, I'm looking, because I always
come to the Couture, almost always. I've

727
00:51:46,640 --> 00:51:47,720
been, actually.

728
00:51:49,160 --> 00:51:52,820
20 years with American Vogue and 20
years before that on British Vogue and a

729
00:51:52,820 --> 00:51:55,980
years before that when I was modeling.
So I've been coming for a long time.

730
00:51:56,700 --> 00:51:59,840
Obviously, ostensibly, I'm there to find
something to shoot.

731
00:52:01,560 --> 00:52:03,580
But I always mark too many things.

732
00:52:06,500 --> 00:52:07,500
Don't be silly.

733
00:52:07,580 --> 00:52:08,580
Can't do that one.

734
00:53:05,339 --> 00:53:06,339
Hi, darling.

735
00:53:07,180 --> 00:53:08,180
How are you?

736
00:53:08,400 --> 00:53:09,400
I'm good, and you?

737
00:53:10,300 --> 00:53:12,940
Did you see the match? My God, you look
amazing for this room.

738
00:53:13,540 --> 00:53:15,560
Right, I didn't think... Did you see the
match?

739
00:53:16,120 --> 00:53:18,180
He won. No, I didn't see it, but I heard
he won.

740
00:53:19,500 --> 00:53:21,320
So, we go to Siena.

741
00:53:22,880 --> 00:53:25,720
Our schedule, a rough schedule I've done
with Tony.

742
00:53:26,540 --> 00:53:30,420
Basically, I want to create a film, you
know, a mixture of Fellini meets

743
00:53:30,420 --> 00:53:32,430
Visconti meets... Oh, right.

744
00:53:32,650 --> 00:53:37,630
Roman holiday. Yeah, very cinematic, I
think, that I would like to try and do.

745
00:53:37,710 --> 00:53:41,870
But the charming side of Italian film
rather than the broody, moody side. Of

746
00:53:41,870 --> 00:53:44,390
course, but look how beautiful her with
the people in the back on it.

747
00:53:45,250 --> 00:53:47,830
I mean, I want things that are quite
spectacular.

748
00:53:48,670 --> 00:53:52,550
Then I want to do something to do with
the Vespas in St. Peter's Square.

749
00:53:53,710 --> 00:53:56,750
And then I wanted something with horses
and soldiers.

750
00:53:58,190 --> 00:54:00,010
I mean, there is a lot of white.

751
00:54:00,440 --> 00:54:02,780
Like, I love that, the feeling of being
white.

752
00:54:03,220 --> 00:54:07,480
There's the pastry shop, which is all
white. I mean, there's a lot of white. I

753
00:54:07,480 --> 00:54:10,080
don't know why I keep on looking at
things that are white.

754
00:54:10,580 --> 00:54:13,900
You know, the white horse, because I
think that that could be quite useful.

755
00:54:14,580 --> 00:54:18,820
And then I love this idea of putting the
horse in odd places as well. But I just

756
00:54:18,820 --> 00:54:22,040
don't want that to be the whole thrust
of the story.

757
00:54:22,400 --> 00:54:26,660
Okay. Now let's talk about her, because
her hair is not looking its best.

758
00:54:27,089 --> 00:54:32,730
We had thought of putting a wig on her,
like a long wig, a really graphic one.

759
00:54:33,010 --> 00:54:40,010
I mean, my advice, since we're going to
be short on time, is if

760
00:54:40,010 --> 00:54:43,410
we decide on a look and just stay with
it, because you don't want to waste

761
00:54:43,410 --> 00:54:46,270
hours. Oh, no, I would do a look, and
that's a look. Yeah.

762
00:54:46,570 --> 00:54:49,650
Oh, great. I'm really excited about it.
It's going to be the biggest one in our

763
00:54:49,650 --> 00:54:50,650
kitchen. This is an amazing room, no?

764
00:54:51,290 --> 00:54:52,570
You can have a party here.

765
00:54:52,780 --> 00:54:56,600
What, the September one is going to be
how many pages? I don't know yet, but

766
00:54:56,600 --> 00:54:57,700
it's the biggest in our history.

767
00:54:58,140 --> 00:54:59,140
Really? Yep.

768
00:54:59,460 --> 00:55:00,379
We're excited.

769
00:55:00,380 --> 00:55:01,700
I should have a party here, no?

770
00:55:35,190 --> 00:55:41,350
I never dreamt to be a model or never,
never dreamt to be a fashion editor, but

771
00:55:41,350 --> 00:55:43,210
I just loved the pages and the pictures.

772
00:55:46,210 --> 00:55:53,170
In my early years as a fashion editor, I
worked with Norman Parkinson, who was a

773
00:55:53,170 --> 00:55:57,130
really big photographer, and he taught
me who...

774
00:55:57,870 --> 00:56:01,490
Always keep your eyes open, you know,
never go to sleep in the car or anything

775
00:56:01,490 --> 00:56:06,910
like that. Keep watching because
whatever you see out the window or

776
00:56:06,910 --> 00:56:08,030
can inspire you.

777
00:56:47,790 --> 00:56:48,790
It is amazing.

778
00:56:50,050 --> 00:56:53,930
It's sort of strange to think how old it
is.

779
00:57:03,690 --> 00:57:04,690
It's beautiful.

780
00:57:07,250 --> 00:57:11,090
I think I got left behind somewhere
because I'm still a romantic.

781
00:57:15,250 --> 00:57:16,430
You have to...

782
00:57:16,750 --> 00:57:17,750
Go charging ahead.

783
00:57:17,850 --> 00:57:19,110
You can't stay behind.

784
00:57:23,670 --> 00:57:24,670
Okay.

785
00:57:26,190 --> 00:57:27,530
I know. She looks good.

786
00:57:27,990 --> 00:57:28,990
Good.

787
00:57:31,370 --> 00:57:36,490
Go ahead. Just that tiny bit forward so
you get like an angle. There. Good.

788
00:57:36,610 --> 00:57:39,170
That's the one. Good. Good. Oh, wow.

789
00:57:44,510 --> 00:57:45,930
Anna, how are you?

790
00:57:46,410 --> 00:57:49,410
We're doing very well. I'm sitting here
with Mario and everybody.

791
00:57:50,190 --> 00:57:52,590
Santa's here. We're doing a wig.
Everything's great.

792
00:57:53,450 --> 00:57:57,430
Let's divide our story like this. Let's
do four visual locations.

793
00:57:57,710 --> 00:58:01,890
Let's say... That's pretty spectacular,
doesn't it? Yeah. I mean, look. It's

794
00:58:01,890 --> 00:58:04,510
beautiful. It's beautiful.

795
00:58:05,150 --> 00:58:06,430
I think we don't need it.

796
00:58:06,730 --> 00:58:09,210
It's a beautiful open shade light, and
it's so pretty.

797
00:58:09,650 --> 00:58:12,210
That is what I'm wondering, whether we
want freedom.

798
00:58:14,830 --> 00:58:17,650
I find I've done this hair, like,
really.

799
00:58:18,070 --> 00:58:20,710
I would love something new, a new
proposition.

800
00:58:23,150 --> 00:58:28,070
We tried the wig, and it did not work,
and we moved on. And we moved on in the

801
00:58:28,070 --> 00:58:29,070
right direction, I think.

802
00:58:29,170 --> 00:58:32,330
There, wow. Stay there. Don't move,
don't move. This is your face, don't

803
00:58:32,910 --> 00:58:34,370
This is really beautiful, no?

804
00:58:34,970 --> 00:58:36,750
I like that freshness of you.

805
00:58:37,130 --> 00:58:38,130
Go,

806
00:58:39,650 --> 00:58:42,470
Tina. Go, go, go, go, go, go, go, go,
go, go.

807
00:59:04,569 --> 00:59:08,630
I can certainly get rid of the head
thing. Do you want to get rid of the

808
00:59:08,630 --> 00:59:10,510
thing? Maybe, maybe it's not good.

809
00:59:17,270 --> 00:59:18,410
Grace, thanks for the pie.

810
00:59:18,890 --> 00:59:21,690
I don't know if I should eat that
because the courses are so tight.

811
00:59:22,650 --> 00:59:24,210
That's not going to make a difference.

812
00:59:24,510 --> 00:59:25,510
Hello.

813
00:59:32,730 --> 00:59:33,730
Fantastic.

814
00:59:34,610 --> 00:59:35,589
Can you breathe?

815
00:59:35,590 --> 00:59:36,590
Are you all right? Yeah.

816
00:59:38,810 --> 00:59:39,810
That's incredible.

817
00:59:40,510 --> 00:59:41,510
That's beautiful.

818
00:59:41,610 --> 00:59:43,350
And the expression here is very lovely.

819
00:59:43,730 --> 00:59:44,990
Just play with the hand a little bit.

820
00:59:47,819 --> 00:59:48,819
Oh, wow.

821
00:59:48,860 --> 00:59:49,718
That's beautiful.

822
00:59:49,720 --> 00:59:50,439
It ain't bad.

823
00:59:50,440 --> 00:59:52,640
I think you got it. Okay. Let's go. Well
done, Michal.

824
01:00:26,250 --> 01:00:27,430
Go on, Drake. Left, left.

825
01:00:30,270 --> 01:00:34,950
Miss Winter inaugurated me into health
by intervention.

826
01:00:35,410 --> 01:00:40,030
She saved my life, I guess, in the long
term because she intervened three years

827
01:00:40,030 --> 01:00:41,750
ago that I go to lose weight.

828
01:00:42,130 --> 01:00:43,450
So now to what Miss Winter says.

829
01:00:43,750 --> 01:00:44,750
Go.

830
01:00:45,170 --> 01:00:46,430
So, I took up tennis.

831
01:00:46,770 --> 01:00:49,770
Over your shoulder. Come on, come on,
come on. Good. I wouldn't come to the

832
01:00:49,770 --> 01:00:50,770
tennis court and just...

833
01:00:51,160 --> 01:00:55,040
A pair of shorts and a tennis shirt. I
go to Damon Dashwood for my trousers. I

834
01:00:55,040 --> 01:00:56,040
go to Ralph Lauren for the shirt.

835
01:00:56,300 --> 01:00:58,040
This is my version of a tennis watch.

836
01:00:58,920 --> 01:01:02,440
It's a pinch of the PRJ from the 60s.
But I would wear this on a tennis court.

837
01:01:02,440 --> 01:01:06,420
would wear it all day long. It's all a
part of the whole life of being who I

838
01:01:06,480 --> 01:01:10,600
I have to get up and approach life with
my own aesthetics about style.

839
01:01:21,290 --> 01:01:25,790
The magazine will be actually almost 9
million up when we come out of

840
01:01:26,230 --> 01:01:28,530
Wow. This is not a great -looking
opener.

841
01:01:28,830 --> 01:01:30,350
I mean, this is a cleaner opener.

842
01:01:30,590 --> 01:01:32,130
You know, the girl looking at you.

843
01:01:32,910 --> 01:01:35,750
I'm going to open something people want
to read, I think.

844
01:01:36,150 --> 01:01:37,150
Do you need me, Charlie?

845
01:01:37,210 --> 01:01:40,110
Yes, the couture is here. Oh, great.
What about Mario?

846
01:01:40,470 --> 01:01:42,050
Mario, he's... Hello?

847
01:01:45,830 --> 01:01:47,150
I love them.

848
01:01:47,370 --> 01:01:51,860
They look gorgeous. I've stolen them.
I've snatched... the amount of Charlie's

849
01:01:51,860 --> 01:01:52,860
hands.

850
01:01:55,860 --> 01:02:02,260
Kind of, but, you know, he hates to

851
01:02:02,260 --> 01:02:05,900
say until Anna's seen them in case he
makes a mistake.

852
01:02:12,860 --> 01:02:13,860
About a week.

853
01:02:14,500 --> 01:02:15,500
All through it.

854
01:02:35,560 --> 01:02:36,560
Beautiful.

855
01:02:38,280 --> 01:02:39,660
Well, we can wait, right?

856
01:02:40,020 --> 01:02:44,760
Oh, yes, sure. This slightly hinges on
what happened with Sienna, I think.

857
01:02:45,100 --> 01:02:47,160
Yeah, I know. Grace wasn't crazy about
that one anyway.

858
01:02:50,900 --> 01:02:51,900
Hi.

859
01:02:52,580 --> 01:02:56,000
I know it's just... Brian just told me
it's coming out now.

860
01:02:56,280 --> 01:02:59,000
So as soon as I look at it, maybe I'll
call you right back.

861
01:02:59,980 --> 01:03:01,000
Okay, thanks a lot, Mario.

862
01:03:01,240 --> 01:03:03,040
Okay, I need these printed out right
away. Sure, yeah.

863
01:03:03,500 --> 01:03:04,740
It's printing out, but...

864
01:03:08,110 --> 01:03:10,630
This is what he just sent, yes.

865
01:03:13,250 --> 01:03:14,710
But did he send the cover?

866
01:03:15,530 --> 01:03:16,530
No.

867
01:03:16,730 --> 01:03:18,090
He's taking them all to that.

868
01:03:25,090 --> 01:03:25,808
That's it?

869
01:03:25,810 --> 01:03:26,810
Yes. Is that for the clone?

870
01:03:27,870 --> 01:03:29,350
That's all I said.

871
01:03:29,710 --> 01:03:30,930
Can you get Tony in here?

872
01:03:31,590 --> 01:03:33,010
No, she wasn't in before.

873
01:03:33,290 --> 01:03:34,290
Let me see if she's back.

874
01:03:35,370 --> 01:03:36,368
Not yet.

875
01:03:36,370 --> 01:03:37,370
Okay.

876
01:03:38,040 --> 01:03:42,240
Could we ask her assistant to see how
many pictures here we're missing?

877
01:03:42,600 --> 01:03:43,600
Yes.

878
01:03:44,720 --> 01:03:45,720
This is all his stuff.

879
01:03:45,920 --> 01:03:47,300
Can I see Ivan, please?

880
01:03:47,540 --> 01:03:53,380
Ivan. And I need Tony's assistant, or...
Hi, did you say this was more coming,

881
01:03:53,520 --> 01:03:55,300
or... There's nothing else?

882
01:03:55,600 --> 01:03:58,100
No, this is a big story, but I'll go
back to them and double -check.

883
01:03:58,300 --> 01:04:01,120
All right. As I understand it, this is
everything. Okay, can we get Tony's

884
01:04:01,120 --> 01:04:02,840
assistant or Virginia in here, please?

885
01:04:09,200 --> 01:04:11,780
I thought we were going to have more
clothes.

886
01:04:12,340 --> 01:04:13,259
Okay, Mariel.

887
01:04:13,260 --> 01:04:15,760
I'd like to see the rest of the film as
soon as possible.

888
01:04:16,020 --> 01:04:17,020
You understand?

889
01:04:17,800 --> 01:04:20,040
But I didn't get the coliseum.

890
01:04:21,080 --> 01:04:25,900
Right. I don't think that's it. I think
the thing is, it's the whole look. It's

891
01:04:25,900 --> 01:04:26,900
everything.

892
01:04:27,060 --> 01:04:29,060
Truthfully. It's a bit short on clothes.

893
01:04:30,240 --> 01:04:31,760
But I don't know if we even need to
reshoot.

894
01:04:32,040 --> 01:04:34,480
But it's something that's being talked
about.

895
01:04:35,040 --> 01:04:36,340
So I just want to put it in your ear.

896
01:04:39,470 --> 01:04:40,610
I just finished talking to Marion.

897
01:04:41,110 --> 01:04:42,130
No other Nina Ricci?

898
01:04:42,830 --> 01:04:43,549
That was it.

899
01:04:43,550 --> 01:04:47,210
That was it. I didn't do it all night.
No, and he says he didn't do the

900
01:04:47,210 --> 01:04:48,210
dress.

901
01:04:48,530 --> 01:04:50,890
He says he didn't like it, so he didn't
do it. All right.

902
01:04:52,330 --> 01:04:53,950
I just finished talking to Marion. Yeah.

903
01:04:54,230 --> 01:04:58,450
He says there is nothing on the dress in
the Coliseum. Well, he didn't like it.

904
01:04:58,470 --> 01:05:01,270
He really couldn't. He said he didn't
like it, so he never really did it, he

905
01:05:01,270 --> 01:05:03,130
said. Which I had to tell her.

906
01:05:03,550 --> 01:05:06,930
You know, it's digital. He did
something, but he never got an image

907
01:05:06,930 --> 01:05:07,930
wanted to hold on to. Right.

908
01:05:08,190 --> 01:05:12,030
You know, I understand that, you know,
she needs a few more stresses, but, you

909
01:05:12,030 --> 01:05:14,350
know, you get what you get.

910
01:05:14,630 --> 01:05:17,170
I'm concerned a little because I'm not
positive with the cover at the moment.

911
01:05:17,370 --> 01:05:21,110
The one he's chosen, she's kind of tough
looking in the face. That's not a face

912
01:05:21,110 --> 01:05:22,110
for a cover. Right.

913
01:05:23,630 --> 01:05:24,308
See this?

914
01:05:24,310 --> 01:05:25,910
Yeah. It can't be that.

915
01:05:26,130 --> 01:05:28,090
I mean, I think there could definitely
be something there.

916
01:05:29,250 --> 01:05:31,490
So, I think that's pretty ravishing.

917
01:05:31,750 --> 01:05:34,290
Well, look at it now. I've cropped in on
it and turned it. Something?

918
01:05:36,840 --> 01:05:38,760
Like this desk, but teeth.

919
01:05:39,040 --> 01:05:40,040
But teeth.

920
01:05:42,220 --> 01:05:43,220
Maya.

921
01:05:43,420 --> 01:05:48,600
Hi. I'd just like to ask if there was
something there that we could at least

922
01:05:48,600 --> 01:05:49,600
look at.

923
01:05:50,860 --> 01:05:51,860
Not one?

924
01:05:57,780 --> 01:05:59,300
Sorry, could you make me some coffee,
please?

925
01:06:10,760 --> 01:06:13,700
She has to look so concerned because
she's working on a lawyer topic.

926
01:06:13,900 --> 01:06:15,080
No, a judge. A judge.

927
01:06:15,300 --> 01:06:16,300
Sorry.

928
01:06:20,560 --> 01:06:25,900
My older brother is in charge of finding
lower income housing in London for

929
01:06:25,900 --> 01:06:31,340
people that need it. And my sister's
very involved in supporting

930
01:06:31,340 --> 01:06:37,080
farmers' rights in Latin America. My
younger brother is the political editor

931
01:06:37,080 --> 01:06:38,080
The Guardian.

932
01:06:39,850 --> 01:06:41,410
very successful, very brilliant.

933
01:06:42,950 --> 01:06:48,170
And my

934
01:06:48,170 --> 01:06:55,010
two brothers and my sister, I

935
01:06:55,010 --> 01:06:58,010
think they're very amused by what I do.

936
01:07:03,230 --> 01:07:07,250
They're amused.

937
01:07:52,299 --> 01:07:56,380
Amanda Lacey is a London facialist who
is a great friend of Plum's, and she's

938
01:07:56,380 --> 01:07:59,420
got a beautiful line of products, and
she's opening a new store in London.

939
01:07:59,900 --> 01:08:02,100
And if it's ready, I'd love to do a
little item on that.

940
01:08:02,500 --> 01:08:07,540
And then this is a piece about all the
advancements in eyes, and I think that

941
01:08:07,540 --> 01:08:11,020
eyes are something that women of all
ages think about because their eyes

942
01:08:11,020 --> 01:08:11,999
aging.

943
01:08:12,000 --> 01:08:14,760
They're the first thing that starts to
age, and even women in their 20s are

944
01:08:14,760 --> 01:08:15,760
concerned about it.

945
01:08:36,740 --> 01:08:43,740
I remember when my dad retired and I
asked him why he was

946
01:08:43,740 --> 01:08:47,140
leaving because he was obviously so
passionate about what he was doing still

947
01:08:47,140 --> 01:08:48,319
he said, well, I get too angry.

948
01:08:49,260 --> 01:08:51,720
I get too angry. I find myself getting
too angry.

949
01:08:52,200 --> 01:08:57,399
So I do remember that because I know
every time I get quite angry. So I try

950
01:08:57,399 --> 01:08:58,399
restrain that.

951
01:08:58,520 --> 01:09:02,420
So I think when I find myself getting
really, really angry, that might be time

952
01:09:02,420 --> 01:09:03,420
to stop.

953
01:09:27,240 --> 01:09:33,000
the celebrity thing coming way before
everybody else jumped on that bandwagon

954
01:09:33,000 --> 01:09:39,000
and you know whilst i hated it i'm
afraid i have to admit she was right you

955
01:09:39,000 --> 01:09:44,000
you can't you can't stay behind you have
to go charging ahead and and she did

956
01:09:44,000 --> 01:09:50,819
and the magazine is very successful
because of it i mean whilst i be i

957
01:09:50,819 --> 01:09:55,380
really care if i never saw another
celebrity obviously if the magazine

958
01:09:55,380 --> 01:09:56,380
sell

959
01:09:56,640 --> 01:09:57,760
I don't have a job.

960
01:09:58,640 --> 01:10:00,620
It would be silly.

961
01:10:06,720 --> 01:10:10,240
You know, you've got to have something
to put your work in, otherwise it's not

962
01:10:10,240 --> 01:10:11,240
valid.

963
01:10:35,310 --> 01:10:36,310
Hello, good morning.

964
01:10:38,330 --> 01:10:40,730
Has Prada gotten this request yet or no?

965
01:10:46,790 --> 01:10:47,790
It's all changed.

966
01:10:48,910 --> 01:10:49,910
It's all changed.

967
01:10:50,350 --> 01:10:54,150
The shoot we're doing this weekend is
going to be a reshoot of the color block

968
01:10:54,150 --> 01:10:55,210
shoot that Ed did.

969
01:10:55,730 --> 01:11:01,610
And I killed color blocking and they
want to reshoot it and then, but of

970
01:11:01,610 --> 01:11:02,950
it's very urgent, so.

971
01:11:04,030 --> 01:11:06,670
I got your message. We're already
working on it. Okay. A little while.

972
01:11:06,910 --> 01:11:10,590
Okay. So I've got to get all the clothes
in five minutes. Okay.

973
01:11:10,870 --> 01:11:12,310
Getting a little busy up here.

974
01:11:12,530 --> 01:11:15,010
There's just a bunch on the priority
rack. I don't know where it came from.

975
01:11:15,010 --> 01:11:17,270
Sarah has more take -ups on her rack.
I'll grab that for you as well.

976
01:11:18,170 --> 01:11:19,510
What about stuff like this?

977
01:11:20,110 --> 01:11:23,690
That particular one was shot, but yes,
in theory, it would be color -blocked.

978
01:11:23,790 --> 01:11:27,130
But I shot one of these in that same
issue, so that's no good.

979
01:11:27,670 --> 01:11:30,650
And this one? That's good. I haven't
been shot. Have I shot that skirt? Well,

980
01:11:30,650 --> 01:11:31,850
you shot the skirt. Yes.

981
01:11:33,240 --> 01:11:36,560
This has to close on Thursday. I know.
And it's not going to come in until

982
01:11:36,560 --> 01:11:38,880
Wednesday? No, it won't. I can't do
anything about it.

983
01:11:39,120 --> 01:11:41,040
A change was made and I didn't even
know.

984
01:11:41,660 --> 01:11:42,660
Did I shoot this?

985
01:11:42,800 --> 01:11:43,900
I shot this. You did.

986
01:11:45,620 --> 01:11:47,100
There's a red coat. Yeah, shot.

987
01:11:48,040 --> 01:11:52,100
Was your 20s Prada dress shot? The red
one? Yeah. You shot it and it didn't

988
01:11:52,100 --> 01:11:53,100
And it was killed.

989
01:11:54,880 --> 01:12:01,600
I felt very excited to see that there
was a photograph of a man in the

990
01:12:03,850 --> 01:12:04,850
20 years later.

991
01:12:06,330 --> 01:12:08,330
Are we opening the issue?

992
01:12:08,690 --> 01:12:10,130
Yes, as of now.

993
01:12:10,610 --> 01:12:12,750
What do you mean as of now? Do we have
to ship?

994
01:12:13,510 --> 01:12:14,510
Nothing is settled.

995
01:12:15,390 --> 01:12:19,150
Is that all I did?

996
01:12:19,570 --> 01:12:20,429
That's all.

997
01:12:20,430 --> 01:12:23,610
It seemed to like, thread like mad.

998
01:12:24,530 --> 01:12:27,230
Whatever happened to the Colosseum, I
don't know. That was the only one.

999
01:12:27,870 --> 01:12:29,350
That didn't work, unfortunately.

1000
01:12:30,250 --> 01:12:33,970
You know, we had a little time and I
wanted to do another cover and I said,

1001
01:12:33,970 --> 01:12:36,610
know, I'm not going to spend three hours
here. Right, do one at the other.

1002
01:12:36,910 --> 01:12:38,030
Do you have the covers?

1003
01:12:38,350 --> 01:12:39,350
Right here.

1004
01:12:39,410 --> 01:12:41,650
So it's between these two. We're testing
both for now.

1005
01:12:41,970 --> 01:12:46,390
Do you think I should use this body and
that head? No, look at this.

1006
01:12:48,770 --> 01:12:50,910
It's a better neck. No?

1007
01:12:51,250 --> 01:12:54,630
You have to retouch a lot. It's very
easy.

1008
01:12:54,950 --> 01:12:56,290
And also there's a filling.

1009
01:12:56,760 --> 01:13:01,240
couple fillings there but i mean we
could fix that of course yeah absolutely

1010
01:13:01,240 --> 01:13:07,980
think you know it's going to be at you
so that's the one but i you're right i

1011
01:13:07,980 --> 01:13:12,080
think that neck the body might be more
beautiful no and i'm going to dummy it

1012
01:13:12,080 --> 01:13:17,760
that way so okay great all right there's
no color stuff left that hasn't already

1013
01:13:17,760 --> 01:13:21,460
been chopped so what is any good what is
it called that you're shooting i don't

1014
01:13:21,460 --> 01:13:22,460
know

1015
01:13:24,510 --> 01:13:26,370
I'm making it up as I go along.

1016
01:13:26,910 --> 01:13:31,990
Whoops. And I've got two days to... Is
it the last shoot that we expect? You

1017
01:13:31,990 --> 01:13:33,710
better pray it is.

1018
01:13:34,250 --> 01:13:35,250
Otherwise,

1019
01:13:35,710 --> 01:13:38,490
I don't know who's going to shoot it.
The biggest issue of the year, and we

1020
01:13:38,490 --> 01:13:39,970
to close it, and they're still shooting.

1021
01:13:41,810 --> 01:13:45,010
Now, I had an idea, but I don't know if
I want to do it or not, and it involves

1022
01:13:45,010 --> 01:13:46,010
you.

1023
01:13:46,330 --> 01:13:47,330
That's why I'm asking.

1024
01:13:47,470 --> 01:13:48,470
Not you, Connie.

1025
01:13:49,330 --> 01:13:50,330
My friend.

1026
01:13:57,580 --> 01:13:58,580
Are you feeling good?

1027
01:13:59,740 --> 01:14:01,140
You feel young today? Feel good?

1028
01:14:01,440 --> 01:14:02,440
Yes,

1029
01:14:02,580 --> 01:14:03,700
I have a plan for you.

1030
01:14:05,000 --> 01:14:06,000
Can you jump?

1031
01:14:10,580 --> 01:14:12,060
Yeah, that's great. This one's great.

1032
01:14:14,700 --> 01:14:16,540
One more. You can make it one more, OK?

1033
01:14:19,240 --> 01:14:20,240
OK.

1034
01:14:20,700 --> 01:14:21,820
Oh, that's great.

1035
01:14:22,460 --> 01:14:26,000
So we're going to mount her in the same
place, very close to him, like that.

1036
01:14:26,780 --> 01:14:28,820
Something too. You've done something to
tell me, haven't you?

1037
01:14:35,780 --> 01:14:36,100
That's

1038
01:14:36,100 --> 01:14:43,040
good,

1039
01:14:43,120 --> 01:14:45,380
I think. You're looking right in the
land. Yeah, yeah.

1040
01:15:08,050 --> 01:15:09,050
Awesome.

1041
01:15:13,790 --> 01:15:17,950
How many times did they make you jump?

1042
01:15:18,910 --> 01:15:19,910
Nothing, man.

1043
01:15:36,010 --> 01:15:38,790
fun. I mean, we just needed a breath of
fresh air and this year everything was

1044
01:15:38,790 --> 01:15:39,790
quite dense.

1045
01:15:40,390 --> 01:15:41,890
So, look great.

1046
01:15:42,290 --> 01:15:43,530
Wearable. Accessible.

1047
01:15:44,330 --> 01:15:47,850
We're working on this one.

1048
01:15:48,250 --> 01:15:49,250
Yeah.

1049
01:15:49,590 --> 01:15:52,430
A little bit of retouching. Need to go
to the gym.

1050
01:15:56,210 --> 01:15:57,210
But they look great.

1051
01:15:57,890 --> 01:15:59,050
We did it.

1052
01:16:00,410 --> 01:16:01,410
Yeah.

1053
01:16:01,630 --> 01:16:03,530
Patrick? Patrick did, yes.

1054
01:16:03,810 --> 01:16:05,400
Great. Patrick and Grace.

1055
01:16:11,420 --> 01:16:15,460
Did she like them?

1056
01:16:17,460 --> 01:16:18,460
Oh, I bet.

1057
01:16:21,380 --> 01:16:22,380
Of course.

1058
01:16:25,140 --> 01:16:31,100
Due to which picture? The jumping one?
Yeah.

1059
01:16:32,760 --> 01:16:33,760
She's right.

1060
01:16:38,890 --> 01:16:43,630
No, but, you know, personally, I think
it's better that you're not, like,

1061
01:16:43,630 --> 01:16:44,449
skinny, skinny.

1062
01:16:44,450 --> 01:16:50,330
To me, it much more makes the point than
that you're real people and not

1063
01:16:50,330 --> 01:16:52,190
models.

1064
01:16:53,550 --> 01:16:55,530
Everybody isn't perfect in this world.

1065
01:16:55,830 --> 01:16:58,490
I mean, it's enough that the models are
perfect.

1066
01:17:00,150 --> 01:17:01,670
You don't need to go to the gym.

1067
01:17:02,630 --> 01:17:03,630
Thank you, Chris.

1068
01:17:06,210 --> 01:17:07,210
Charlie?

1069
01:17:08,430 --> 01:17:14,370
Before looking at Patrick's pictures,
please do not retouch Bob's stomach.

1070
01:17:16,110 --> 01:17:20,790
No, please don't, because I don't want
him to look like, you know, a skinny

1071
01:17:20,790 --> 01:17:21,790
model.

1072
01:17:23,750 --> 01:17:29,010
Okay. But no, I just wanted to catch his
stomach before you gave him a... He's

1073
01:17:29,010 --> 01:17:30,770
pulling it in now as I speak.

1074
01:18:12,910 --> 01:18:19,190
This all seems so large and pretentious,
this type

1075
01:18:19,900 --> 01:18:21,220
Okay. Looks like it's a blind people.

1076
01:18:27,340 --> 01:18:29,340
It's going to come out like that, right?

1077
01:18:29,900 --> 01:18:32,900
Is she wearing feathers? Are those
feathers? I don't know. What are we

1078
01:18:32,900 --> 01:18:34,160
to do if feathers fall?

1079
01:18:38,580 --> 01:18:39,580
There's a ring.

1080
01:18:39,780 --> 01:18:40,780
No.

1081
01:18:41,600 --> 01:18:43,440
This is not in the correct order. Yes,
it is.

1082
01:18:44,120 --> 01:18:45,120
More like this.

1083
01:18:53,260 --> 01:18:56,080
Do we have the book in the cover there?
Do you have it updated?

1084
01:18:56,660 --> 01:18:57,900
Yeah. Okay.

1085
01:19:05,220 --> 01:19:09,540
Then this is our cover girl, whom we
took to Rome with Mario Ticino.

1086
01:19:09,760 --> 01:19:12,300
She was interviewed here by Sally
Singer.

1087
01:19:12,820 --> 01:19:15,980
We had the idea to do a sort of jazz aid
suit.

1088
01:19:17,980 --> 01:19:21,380
That's the cocoon, and on the right is
Chanel.

1089
01:19:22,220 --> 01:19:25,700
That is the issue. Very nice, Jenna.
Thank you.

1090
01:19:28,560 --> 01:19:29,560
Oh, my gosh.

1091
01:19:30,580 --> 01:19:32,760
Wasn't Jenna originally the lead?

1092
01:19:34,560 --> 01:19:35,560
Yes, it was.

1093
01:19:37,940 --> 01:19:38,940
Okay.

1094
01:19:44,140 --> 01:19:45,860
One more spread here.

1095
01:19:49,460 --> 01:19:51,640
Then it'll be my whole issue, just
about.

1096
01:20:10,800 --> 01:20:14,280
That looks great.

1097
01:20:16,740 --> 01:20:19,460
Fashion's not about looking back. It's
always about looking forward.

1098
01:20:23,719 --> 01:20:24,719
Thanks.

1099
01:20:25,100 --> 01:20:26,100
Certainly.

1100
01:20:27,140 --> 01:20:28,140
Move the board.

1101
01:20:28,400 --> 01:20:29,400
Yes, we will.

1102
01:20:30,620 --> 01:20:35,980
I don't believe for one minute that I
have a sense of what's going to happen

1103
01:20:35,980 --> 01:20:39,500
a sense of real change the way Grace
does.

1104
01:20:40,080 --> 01:20:45,260
I mean, Grace is a genius, and there's
no one that can visualize a picture or

1105
01:20:45,260 --> 01:20:51,080
understand the direction of fashion or
produce a great suit. I mean, she's

1106
01:20:51,080 --> 01:20:52,079
just...

1107
01:20:52,080 --> 01:20:53,280
Remarkable. Okay.

1108
01:20:56,040 --> 01:21:01,220
She and I don't always agree, but I
think that over the years we've learned

1109
01:21:01,220 --> 01:21:03,460
to deal with each other's different
points of view.

1110
01:21:06,960 --> 01:21:07,960
Anna, what's up?

1111
01:21:09,080 --> 01:21:11,260
Is anyone coming to this run -through
except for me?

1112
01:21:19,960 --> 01:21:20,960
What up?

1113
01:22:04,240 --> 01:22:06,000
We've got to keep it physical.

1114
01:22:08,640 --> 01:22:11,120
You know you're featured in the
September issue.

1115
01:22:12,960 --> 01:22:13,960
No way.

1116
01:22:14,240 --> 01:22:18,060
When is it coming out?

1117
01:22:19,580 --> 01:22:20,580
Is this better?

1118
01:22:21,920 --> 01:22:22,920
This is authority.

1119
01:22:24,960 --> 01:22:26,420
This is it or nothing.

1120
01:22:27,360 --> 01:22:31,480
This is it or nothing, okay? When I got
the post.

1121
01:22:34,280 --> 01:22:36,520
a stroke of genius on my side, I think.

1122
01:22:37,260 --> 01:22:39,180
Turn the cameras on you.

1123
01:22:40,480 --> 01:22:44,760
And it just came to me like I was
walking along the corridor and I was

1124
01:22:44,760 --> 01:22:48,620
my God, they're looking at my rack
again. I can't hang on a minute.

1125
01:22:49,840 --> 01:22:51,060
I'll teach them.

1126
01:22:54,640 --> 01:22:55,640
What's your strength?

1127
01:22:55,980 --> 01:22:58,060
Decisiveness. Your weakness?

1128
01:22:59,380 --> 01:23:00,380
My children.

1129
01:23:01,340 --> 01:23:02,880
What gift would you like?

1130
01:23:04,560 --> 01:23:05,560
a better backhand.

1131
01:23:41,480 --> 01:23:48,180
I can never ever want to do it right.
It's hard to speak to people I don't

1132
01:24:00,420 --> 01:24:03,180
When I go outside, I like to speak.

1133
01:24:03,480 --> 01:24:05,000
I hate big lights.

1134
01:24:05,440 --> 01:24:06,440
I hate sunglasses.

1135
01:24:07,160 --> 01:24:09,820
Words and pictures happen and I don't
look good.

1136
01:24:12,010 --> 01:24:13,930
So I can be a star.

1137
01:24:26,570 --> 01:24:29,630
What's this I can't wait to go?